Sunday, September 25, 2011

I wanna dance with you

I miss dancing in your bedroom
with all the noises having slipped away.
Nothing but your breath discovering my skin
and my body draping over you.
Creaks in the wooden floors underneath us
as we scurry around,
neither of us completely sure
how to move with rhythm.
But I miss our bodies--
the way they knew how to sway together--
and I wish we could just
go dance around the world,
barefoot and to the tunes that the
wind makes when it whistles in a heavy storm,
rain hitting concrete and making a
sweet kinda beat.
We'd hear leaves crunch beneath our feet
and foot steps and drain spouts
and pipes clanking,
us yanking each other all sorts of ways
just to move together.
Just to move together like we used to.
I wanna dance with you.

Thursday, September 22, 2011

Makes no sense whatsoever

I fell so fast in love
with a boy I'd never known.
It was a first-sight thing;
I was ready for our lives to change
'cause I knew he'd be mine
and we'd fall so fast in love
to a beat he'd never known.

Friday, September 16, 2011

So...

I hope that you really take the time to read the love I put into this stuff.
It's all for you.
Every bit of my heart, it beats for you.
My mind works around the thought of you.
I can't help it.

I want to know it means something to you.

I love you.

Thursday, September 15, 2011

Memoir

“If you’ve ever done anything at all, ever, that required some sort of physical or mental exertion, some would say that you have experienced work” is the first thought that comes to mind as I attempt to write my first memoir for my first college English course, and this is my first time thinking about the work I’ve done. I continue from that initial sentence, but twelve hundred words later, I’ve lost my point. So I take my first thought and restart from there.

I’m eighteen years old and I’ve never held a waged job, so I’ve never been hired in an official manner and I’ve never been fired on a credential matter, but I’m eighteen years old and I’ve devoted myself to a passion of mine. I’ve taken time—countless hours upon days of my life—and tears, tangled thoughts, endless troubles of mine and forced them through inexperienced, unenlightened hands until they were carpal-tunnel-esque, un-frightened hands.

“I’m eighteen years old and my life has been about (art) work,” I say to myself as I struggle with the words creating wars in my head. I’m eighteen years old and my life has been about (art) work and my art takes time, patience, effort, struggle, joy; I have worked.

“I have worked.” I think back through all the work that I’ve done and there’s a rush of memories and experiences that flood this thought train that keeps splitting between tracks. I’m five years old, in a kindergarten class full of gazing glue-eaters who try to take my supplies during snack time while I draw a horse for a friend who says I’m a good artist. I smile and maintain my composure as I internally bask in the glory of the compliment, but I don’t yet know that not everyone will love the things I create. I’m sixteen years old and it’s the beginning of my junior year of high school. I’m in Art III and my teacher coats me in her diet-coke-breath as she sighs bitter criticisms in my ear, but I ask for direction and it’s as if she’s gone deaf as she walks to her desktop with her arthritis acting up. I need feedback, suggestions; I’m asking for help. I’m seventeen and it’s the last month of summer before my senior year starts. Philadelphia is perfect at this time of year because the humidity is low but the sun proudly shines on a day-to-day basis, so each morning I’m ready and willing to start class. University of the Arts is the remedy for, the cure to, and the savior of my worries; I’m getting the help I’ve been asking for.

“I’m going to teach you how to see,” exclaims my advanced drawing teacher, and in the blink of an eye, all this work is worthwhile. I remember the times that my work was a job and when doing what I love turned to attempts at loving what I do. Now I’m learning how to see and though it’s easier than before, my mind continues to expand and it’s working for me. I’m eighteen and it’s May in Charlotte. I’m sitting up late, cutting mat board with my mom because I just graduated from high school and I’m framing prints of my art for an All Arts Market tomorrow. If I don’t start now, I’ll never make a living off of what I live for. This is a lot of work and I’m crying now because I’m scared that it’s pointless.

“There are so many artists out there and I think I’ll be one of them who’s considered to be great,” I whimper as tears stream down my face.

“You’re right, there are tons but why not take your place?” asks my supportive, strong-for-me mom. “You’ve got talent and drive and you’ve worked your whole life because this is a passion of yours and you’re ready to fly. It’s ok to be scared, ‘cause the world is a monster but I know you can take it. You’ve fought mountains before.” I’m eighteen years old and my mom tells me I’m good enough for what I’ve worked for. I’ve spent year after year taking thought upon thought to create pieces of life and I know it’s been hard, but I’ve loved every moment of this hard-to-get-into industry. I’m eighteen years old and last night, I spent hours getting ready to sell art and I hope that it works, but I’ve got two days so I’m not worried yet. I’ve sold nothing this first night but tomorrow holds hope. It’s the second night and I’ve made an impression on customers around. Thus I’m earning (the start of) a living and I think that it’s starting to work for me because I’ve earned my place and I’m still working on moving on up.

I’m eighteen years old, in my first year of college, and today I got scared of pursuing this kind of work. People trash-talk the arts, people look down on the artists but they have no idea the work it takes. I’ve spent eighteen years (give or take a few months) spending my time and my love trying to create for the world what it can’t make on its own; I’ve made pieces of art out of pleasure and pain, I’ve made downright disasters because I hated the game, I’ve made money for creations that someone loved, I’ve made aches in my fingers and hands and brain because I exert myself and I’ve gained a sort of wealth from the work I’ve done.

Notwithstanding the times I’ve been put down, pushed around by either know-nothing critics or all-knowing clowns, I have memories of times I believed in myself and they keep my heart lifted as I climb from the ground up. I can’t see the top of this ladder, so more work is on its way, but at least I know now, without a shadow of a doubt, that every day, I have worked.

I’m seven years old and I’m in first grade. Everyone in my art class is drawing a vase full of flowers, straight from his mind. We’re almost done and our teacher is collecting our work, but I’m nervous now because tomorrow he’ll hang up the pieces all down the hall and only three will be winners. I’m scared. I want to get first place. I’m seven years old and I’m walking down the hall with the rest of the kids in my art class. I look for my drawing, but it’s hard to find. I see a blue ribbon with #1 written on it in bold black marker. It’s mine. I’m going to be an artist one day.

Rambling for Ted

Someone asked me, today, if I’d rather be deaf or blind. Without thought, I said deaf, because that’s always been my answer. But then, without fail, you came to mind—as you always do, regardless of the situation—and I thought of the ways you weave about my thoughts from memory to memory but I couldn’t recall one where every one of my senses wasn’t heightened with excitement because that’s what you do to me. You make me senseless, but my senses go crazy and are at their strongest when I’m with you.

That scent that sits so sweetly on your soft, sunny skin slides through my mind and sends me spinning. I remember one night when we were watching a movie and I lied across your lap and leaned into you, and you smelled like yourself—clean, cool and warm. I miss that so much.

That feeling you give me when our skins caress each other leaves my body like a spot where lightning has struck twice; I get hot, electric, feel beautiful and transparent with your touch. I remember one night, we laid in the back of your car, doing nothing but holding one another; I was in your arms. I was safe, un-scared, falling more in love with you.

That long-lasting luster when your lips lock with mine leaves me clinging to the moment, gripping to the passion that soaks me every second you share your love with me.

And that voice, those looks. That tone, those glances of desire, trust, truth, readiness, love. The thought to not hear, to not see what you mean to show me through each stomach-dropping sigh and heart-stopping gaze scares me. I hate the idea of not knowing you to the fullest; you’re the world to me and to miss out on any piece would push me to a low I’ve never known. The first time we met, I looked you straight in the eyes and I didn’t know what to say because I’d been waiting for that instant since the first time I saw you three years before. I finally opened my mouth (but I forget what I said) and when you answered my utterances with your mesmerizing voice, my knees nearly yanked me to the ground; I was weak. You were a work of art to me and you’ve continued to be through this time we’ve been together and I can’t even imagine what my life would be if you couldn’t sweep me off my feet every time you look at me or if I wouldn’t tremble in my seat when you whisper something sweet. To picture missing out on one of the two last things paints me a picture, incomplete. I hope to always hear and to always see. I need every bit of you, so I guess I need every bit of me.